1,204 Royalty-Free Audio Tracks for "Microtonal Equal Temperament Intervals"

18-tet scale on C. MIDI pitch bend matches intervals.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

5-tet scale on C. Pitch bend matches intervals.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Non-Pythagorean scale on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

BP chromatic scale et. MIDI pitch bend appears to match intervals.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Beta scale 15 steps on C. (3:2)15/11 : 1 = 957.21 cents. MIDI pitch bend: 39,82 on M6 MIDI.

Octave and Minor third on C

Minor tenth on C - As MIDI

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Major thirteenth on F

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

Minor thirteenth on F, as MIDI

Simple and compound major third (major third and major tenth).

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

*Breedsma on C = E♭♭♭+. Just: 2401:2400 = 0.72 cents. Limit: 7-limit. MIDI pitch bend: 30,64

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52